Tap

Tap is an otherwise ordinary dance movie from the late 1980s, with just enough plot and characterization to string together the dance numbers. But there’s a gesture about 13 minutes in that’s worth the rental; it tells us a lot about our protagonist Max (Geoffrey Hines), and about what it is to do creative work.

Max is just getting back on his feet; he’s just out of prison. He walks into a tap dance studio, it’s a little grungy, but he knows his way around. He walks three flights up to a private studio. He’s got his shoes in a brown paper bag. He dumps the shoes out of the bag onto the floor, slips off his jacket, strokes the wood of the floor briefly, and then he begins to practice.

It’s not about the best equipment, it’s not about the bright lights, it may not even be about having heat in the building: it’s about the work.