One evening, after a week or two of rehearsals [of Our Mrs. McChesney], I was leaving the theater rather late, when most of the company had gone. George Hobart and I had had some changes to discuss. [Augustus] Thomas was still there. Near the door I called out across the stage, “Good night, Mr. Thomas.”
He glanced up. “Ah—good night, Miss—uh—uh—mmmm——”
“Ferber,” I prompted him, icily. He had seen me every day for weeks.
“Yes, yes, of course, Ferber. Ferber. I never can remember these Jewish names.”
“That must have been difficult for you when Mr. Frohman was producing your plays,” I retorted, by some lucky stroke; and slammed the door. Nothing slams more satisfactorily than a good heavy metal stage door.
—Edna Ferber, A Peculiar Treasure, p. 218