Ellen Fairey’s sharp comedy is set in a North Side Chicago apartment, the setting of, yes, a support group organized by Brian (the earnest Chris Thorn). There is inter-generational friction and laughs (Brian, a young-looking 51, is the “oldest guy working at the Apple Store”), and some serious exploration of today’s re-sorting of gender roles. Brian’s friend Roger (blustery Scott Aiello), an ironworker with a case of the yips, and who’s likely to solve a problem using a baseball bat, experiences at least two happy reversals. A wig worthy of Robert Plant’s shaggiest years (and the color of a pair of oxblood loafers) gets plenty of play. And all of the men, no matter where they lie on the various spectra against which people are measured, have a nice bonding moment over “Dirty Harry” movies.
Continuing CATF’s tradition of ambitious solo pieces, Dael Orlandersmith and Antonio Edwards Suarez collaborate on an autobiographical piece performed by Suarez. Antonio of the play is a young man out of Bushwick with multiple ethnic heritages. A moment of violently reprimanding his son sparks a reverie of Antonio’s roots in Brooklyn, his fractious and abusive relationship with his mother, and (eventually) the story of how he trained as a dancer. The piece is episodic to the point of choppiness, and Antonio’s trip to Russia as an exchange student rather abruptly ends the piece. Jared Mezzocchi continues his excellent work for the festival in projections design.
- Contemporary American Theater Festival at Shepherd University, Shepherdstown, W. Va.
- Support Group for Men, by Ellen Fairey, directed by Courtney Sale
- Antonio’s Song/I was dreaming of a son, by Dael Orlandersmith and Antonio Edwards Suarez, directed by Mark Clements